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By permission of the artistThe Cyber Art Show is pleased to feature the second of two 12-piece Exhibitions of works by American contemporary Impressionist painter Jill Basham (born 1965 in Washington, D.C.).

 

Basham is an award-winning artist. Honors include 3rd Place in Plein-Air Easton (2012); “Best Landscape” for the National Oil and Acrylic Painters Association (2014); The Salmagundi Club’s Thumb Box Exhibition Award Winner (2014), as well as other honors and awards

Jill's artwork hangs internationally, including the US Embassy in Sri Lanka, through the US State Department’s “Art in Embassies” Program. Articles and biographies about Basham’s work include “American Art Collector” and the book 100 Plein Air Painters of the Mid-Atlantic, by Gary Pendleton. Basham’s work has been featured in PleinAir Magazine’s Why This Works”, an analysis of what makes a particular painting successful.

Jill was juried into The Salmagundi Club, NYC as an Artist Member in 2012. Other memberships include:  The American Impressionist Society, Oil Painters of America, The Working Artist’s Forum and The Mid-Atlantic Plein Air Painters Association.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

- Image of the Day -

 

"First Gust on the Chesapeake"

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Twelve Pieces by Contemporary Artist

 

Jill Basham (Born 1965)

  Feature Artist Bio

 

 

Gallery #183B 

 

 

April 24, 2015

MY BUTTON

                                                                                      

ARTIST'S OFFICIAL BIO

http://jillbasham.com/about

                                        

 

                                         Jill Basham's

                                           OFFICIAL WEBSITE                                                                                      http://jillbasham.com/

 

ARTIST'S STATEMENT

 

"I am passionate about my art and aim to paint everyday. I most love painting landscapes, and am particularly intrigued by how light creates mood. I enjoy painting outside, often times in a large format, but also love painting in the studio, where I have more time for reflection and can produce larger works. 

 

My goal is to try and get the emotion of the scene across to the viewer by matching the mood of the scene with my brushwork, color palette and value/temperature range. I will forever be learning, and in turn, growing. I’m not afraid to fail, as failure is a means to success."  

 

 

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